Publications

Poetry

Literary Hub: “Hard Labor” (forthcoming)
The Margins: “Feeding the Koi” (forthcoming)
Diode Poetry Journal: “Hard Labor,” “Scene with Watermelon from Hokusai,” “Argument Over Dinner,” and “Washington Square Park at Dusk”
San Diego Poetry Journal: “Poem with Moons”
Verse Daily: “Shakespeare in the Park, Shakespeare on the Moon”
The Harvard Review Online: “The Gift”
The Margins: “Eternity” and “The Woman with Leaves for Hands”
Unsplendid: “Reading into the Fire” and “Shakespeare in the Park, Shakespeare on the Moon”
Best New Poets: “Erasures”
Cellpoems: “Artichoke”
Poetry Genius: “Landscape with Monk and Sea”
Measure: “Homework” and “Waiting for Help”
The Nashville Review: “Parable” and “Three Women”
Linebreak: “Two Bulls Fighting”
The Innisfree Poetry Journal: “Two Images,” “Stained Glass,” and “Pygmalion in Old Age”
The Common: “Tattoo”
Superstition Review: “The Rayfish,” “Odin Woodcut,” and “The Yellow Bathing Suit”
Memoir (and) Magazine: “Together on a Sunday Evening” and “Watching Pigeons with Brother”
The Allegheny Review: “The Problem with Myth”
Cha: An Asian Literary Journal: “Etude”

Blackbird
- Book review of Calling a Wolf a Wolf by Kaveh Akbar
- Book review of Overpour by Jane Wong
Indolent Books Poetry Squawk: “On Writing About Family”
The Hopkins Review
- Review of Audiation by Anne-Marie Thompson
- Review of Club Icarus by Matt W. Miller
- Review of The Uncertainty Principle by Mark Kraushaar
- Review of Copperhead by Rachel Richardson
32 Poems: “In Search of New Worlds: Sandra Lim’s The Wilderness”
Academy of American Poets: “‘Love’s austere and lonely offices’: Finding Love in the Everyday” (an essay on Robert Hayden’s “Those Winter Sundays”)

Resident Artist at the Queens Historical Society. Erasures: Solo Exhibition (December 2018 – September 2019)
Interview with Jeff Sherwood for Oxford Dictionaries